Reimagine

Backstage at the closing ceremony of FESPACO film festival, Ouagadougou, Burkina Faso (2013). The rhythms and sonic textures these musicians were producing were out of this world, from some kind of deep ancient future. Naturally I was in heaven (and my recorder heavily in overdrive).

Currently I’m working on a truly exciting collaboration that enables me to revisit my experiences in West Africa and imagine possible futures – probably my most favourite creative activity ever. I’ll post more info on this later when it’ll become more actualised. This project has made me realise that we are probably drawn to and occupied by the same ideas and possibilities throughout our lives: my first memory of making music was when I was six years old and I was trying to imagine a possible African landscape after seeing a documentary about “a village somewhere in Africa”; I’d become tantalised by its atmosphere, scenery and soundtrack so much that I’d wanted to recreate that distant, another world with the electronic organ at our home. And here I am, doing exactly the same thing 37 years later.

But what is it about this particular idea that keeps occupying me?

It’s about redesigning our society, our politics, our economy. No more poverty, no more inequality, no more conflicts, no more ideologies (e.g. the outdated and unnecessary left-right politics). Just conscious, intelligent, healthy, long-term outcomes. We could easily live in a world where no one has to struggle for living, where everyone is taken care of, where people can enjoy living instead of having to earn living, where the nature and the humanity continue to flourish in balance, where the world lives in deep freedom (a concept by the economist and philosopher Roberto Mangabeira Unger – find out more here) – and where the prosperity and growth come from us thriving as conscious and active citizens of the world and not from us struggling as passive consumers tied to the unsustainable, elite-serving capitalist system. We only need to change our outdated political and economic systems – and music and the arts are already way ahead in this act of rethinking, reimagining and redesigning, waiting for the politics and economics to catch up.

This idea is equally about borders, nations, nationalism, tribalism, cultures, ethnicities and origins: inhabiting a possible world beyond and in between all the these arbitrarily maintained divisions; belonging to and being a citizen of Earth instead of any arbitrary nation. Cultures and differences are reasons for celebration and cooperation – harmonious disagreements – not for inharmonious disagreements, conflicts and walls. We humans are all different but equal, cohabiting this tiny planet equally with millions of other species: Earth is the shared home of everyone and everything. When you are making possible musics – multicultural, transcontinental, imaginary and hybrid – you are not actually trying to imagine a possible future, you are simply trying to show the actual reality amid all the ideologically constructed, artificially maintained divisions that we keep wasting our precious resources on.

My new album, meanwhile, will be out in mid June (it keeps evading all the titles and verbal descriptions, that’s why). Please, do stay safe and healthy X

Flash of the Spirit – new album out now

My new album Flash of the Spirit is out now. This is my sixth album, and it builds on the direction begun on my previous albums Arrival City, Sahara and LOS-HEL: Possible Cities.

The album is inspired by my travels and experiences in West Africa. It’s a reflection on a kind of liminal global space, imaginary and real, that exists in between and beyond cultures, nations, borders, ecosystems, beliefs, social constructs, identities and differences. This space is always in the state of becoming: changing, emerging and suggesting new possibilities.

Similarly, the music defies any clear categorization and well-established aesthetics, existing and moving between Minimalism, Afrobeat, Electronica, Krautrock, Gospel, Ambient and West African traditional musics – as if heard and treated through a slightly futuristic perspective. My idea has been to make an approachable yet artistically uncompromising, melodic, rhythmic, emotive record, one that can grow on repeated listening over time. I always imagine the music that I’m making belonging to a possible future world (“music holds the promise of a different world”).

The title refers to the book of the same name by Robert Farris Thompson, which I’d read during my residency in Benin. It’s also a nod to the album of the same name by Jon Hassell & Farafina. It’s also a reference to those great “flashes of the spirit” that I kept coming across on my travels.

The album is available now on my Bandcamp site, and on all the other digital music stores and streaming services from 2 November onwards.