PIENIÄ TOSIASIOITA – afterthoughts

Thank you to everyone who came to visit my poetry-sound installation PIENIÄ TOSIASIOITA (“small truths/facts”) at Taavettilan riihi in Jyväskylä this weekend. It was a delight to see so many visitors attending (despite the glorious summer weather outside), some even spending hours inside immersed in the experience.

The feedback I received from the audience was overtly positive, at times even rapturous which was all heart-warming (of course, people withhold any criticism they might have – I always wonder why is that?). People commended the way the voices, words and music kept emerging and unfolding in the space, creating an immersive, never-ending spatial and aural experience.

The adjective I kept hearing was that of ‘meditative’: this one author even called the installation as a kind of “meditative opera” (as in opera the narrative voice often forms the central musical element). From now on, I shall call my poetry installations as that: meditative operas. 🙂

Personally I’m very pleased with how the whole installation – poems, voices, music, their generative evolution and acoustic diffusion, architecture, environment, light etc. – turned out. Even though I’d already been listening to the piece for hours and hours while making it, I’d still find myself utterly immersed in it, captivated by how it kept producing novel combinations of its textual and sonic elements. Version 2.0 is already in the pipeline (upon request).

The space was lit by the natural light coming through the windows, and it only occurred to me during the exhibition that what an integral new layer that formed! As the piece kept unfolding within the space throughout the day, simultaneously the light kept softly changing, creating a generative experience of its own: at times it felt utterly magical.

Thank you to Keski-Suomen Kirjailijat ry and Villa Rana for making this possible. And thank you to Petri Turunen (from Keski-Suomen Kirjailijat ry) for initiating, curating and organising this project: your work was invaluable. And naturally, thank you to all the poets, whose words – spoken and written – kept inspiring me throughout the process (when my music continued failing): they made the piece the novelty and success it was.

My deepest gratitude. ❤️

PIENIÄ TOSIASIOITA – a new poetry installation premiering this week

This week my new poetry/sound installation PIENIÄ TOSIASIOITA will premiere as part of the opening weekend of the Art Street Jyväskylä’s autumn season (Jyväskylän Taidekatu), September 6-8. The installation will take place at Taavettilan riihi – the oldest building in the Jyväskylä city area and located within the Jyväskylä University Botanical Garden.

In the piece PIENIÄ TOSIASIOITA (“small truths/facts”), texts from nine Jyväskylä-based poets intersect, collide, become pollinated and stratified, break apart – and form new, accidental, momentary compositions. This is accompanied by discreet site-specific music created from the sounds recorded inside and outside the installation space (a “drying barn”). The voices and textual fragments of the poets as well as the musical motifs keep unfolding in a state of constant permutation, quietly self-organising and -changing – like a river that flows, an urban space in motion, or a forest following the seasons.

The featured poets:

Olli-Pekka Tennilä
Suvi Valli
Kristian Blomberg
Riikka Simpura
Petri Turunen
Anniina Louhivuori
Niklas Salmi
Riitta Cankoçak
Vesa Lahti

Welcome!

Working on the installation at the KulttuuriKauppila artist residency in Ii, Finland, July-August 2024.

New poetry installation in development

Taavettilan riihi. This is the oldest building in Jyväskylä, Finland – and the site of my next sound installation!

I really love working on site-specific installations: engaging in local conditions and creating a novel kind of work that exists between architecture, environment and music – and in this case, also poetry!

While this won’t be my first site-specific piece to use spoken word*, it’ll be the first one to focus primarily on poetry, drawing from texts and voices of contemporary local poets. And I couldn’t be more thrilled: after all, this is a city known as the capital of Finnish hip hop and the Athens of Finland – not to mention for its vibrant literary scene – celebrated for its inventive command of the language.

Instead of drifting in distant server clouds as music releases do (Earth Variations, how’s the world receiving you?!?), the music in site-specific pieces becomes rooted in real habitats, acquiring new spatial and social possibilities as well as responsibilities; it becomes locally meaningful and not just globally meaningless.

And any feedback you receive for your work comes from real living beings, not from marketing spam bots (as you mostly do online).

The installation will be presented during the opening weekend for the autumn season of the city of Jyväskylä’s Taidekatu (Art Street), September 6-8. More info in due course.

* My very first site-specific sound installation, Nordic Staircases at the Round Chapel in London in 2001, was based on a recording of a poem of mine, read in different Nordic languages and electronically treated to correspond with the acoustics of the chapel’s large staircase.