PIENIÄ TOSIASIOITA

A year inside new geographies

Happy new year!

As we transition into a new year and, hopefully, toward a more Earth-based world (colourful, dynamic, intelligent, creative, cooperative, egalitarian, disharmoniously peaceful), instead of some escapist ideological fantasy cloud bubble (wars, ecocide, climate breakdown, genocide, inequality, greed, capitalism, racism, post-truth), a couple of brief reflections related to my practice: 2024 has been the busiest and most productive year of my life to date.

A year of new cartographies, geographies, stories, possibilities, if you will.

This year saw the release of two albums of mine, Bloom and Earth Variations. While Bloom emerged from the desire to hear a certain kind of “sensuous, tender, fragile electronica” that I felt was missing from the contemporary releases I kept coming across, it obviously represented a kind of beat-based electronic music I’d already left behind; Earth Variations, on the other hand, is something I’m very excited about and proud of: the result of a very long and arduous multi-year process, its every listen still keeps taking me to these novel landscapes, terrains, territories, geographies, stories, possibilities! To me, it’s such a unique global record (pity that the music media ignored it completely).

Fresh from finishing Earth Variations, I embarked on the most laborious yet most fulfilling and thrilling project to date: PIENIÄ TOSIASIOITA (‘small truths/facts’), a generative sound-poetry installation and composition, keeping me largely occupied for the rest of the year. Featuring nine contemporary poets from Jyväskylä FI, it was originally supposed to be “only” a site-specific installation at Taavettilan riihi, the oldest building in the Jyväskylä city area; yet it then found an afterlife as acousmatic performances at the Writers’ House and the City Library in Jyväskylä, eventually transforming into two contemporary dance performances at the Villa Rana cultural centre in the city, all thanks to the choreographer and dancer Saga Elgland as well as to the participating partners Keski-Suomen Tanssin Keskus ry, Keski-Suomen Kirjailijat ry and Kulttuuritalo Villa Rana.

Regarding all the work I’ve ever done, I’m most proud of this one. PIENIÄ TOSIASIOITA presents a kind of musical future I’m yet to hear elsewhere and which I’d like to most explore from now on. Its combination of generative (self-organizing and -evolving) poetry, voices (spoken word) of the poets, and the music made of transformed environmental sounds, creates a very unique and immersive experience that exists between spoken word, opera, field recording (environment) and ambient music. “Meditative opera”, as some listeners commented. I want to make this a more multilingual and multicultural experience in the future.

Amid developing the infinitely playing PIENIÄ TOSIASIOITA, I spent two months at the wonderful KulttuuriKauppila artist residency in Ii FI, creating a new 20-minute site-specific composition and performance titled SIINTO (‘shimmer’, ‘dawn’, ‘reflection’ or ‘glow’): it’s made mostly of the environmental sounds recorded around Ii, the voice of a dear friend born in Ii, and processed recordings of Ginette, originally performed by Petteri Mäkiniemi. It’s the most demanding piece I’ve ever had to prepare, with so many contrasting layers having to come together. After its successful performance as part of the Evenings of Art & Culture in Ii in August, I thought I could forget all about it: it has now become the basis of my next album Siinto, out next year!

My another long-term album Radiant City is also slowly falling into place, out next year.

The beautifully frozen Winter (-42 C) and sunny Spring at the refreshingly quiet and isolated Frosterus artist residency in Kärsämäki FI saw me applying for the docARTES doctoral studies in music and sound art at Leiden University NL and Orpheus Instituut, Ghent BE. And here I am, successfully lamenting about the drizzly and downcast Belgian winter! Where the f*ck is the sun?! (+-0) Once here, we were told that getting into the docARTES programme was the hardest part, now things should be getting clearer and sunnier.

Due to the programme, I had to cancel a very exciting artist residency in Amman and Wadi Rum, Jordan, this autumn, courtesy of Remal Lab/Studio 8 (Israel committing genocide and other war crimes in the neighbouring Palestine was also one troubling factor). I hope to attend the residency in the coming years when my study schedule allows and the current Israeli government is rotting in jail/hell.

Toward a new, hopefully more colourful, dynamic and civilised world!

PIENIÄ TOSIASIOITA by Saga Elgland Company

Thank you to choreographer and dancer Saga Elgland (of Saga Elgland Company) for her brilliant performance of my sound-poetry composition PIENIÄ TOSIASIOITA at Villa Rana, Jyväskylä FI, last night!

More info on the composition and its origins here.

Her “reactive dance house game” to my “meditative opera” appears to have been an inventive, immersive, captivating and elevating experience for the audience full of praise afterwards (based on the feedback I’ve received).

Watching the several clips I’ve so far received, it’s fascinating to observe whether the poetic and sonic content follows the performance or the other way around; and how the movements, gestures, acts and objects keep constantly acquiring and shifting between different meanings and interpretations, depending on the words and sounds emerging. The entire stage seems to exist in a state of constant becomings: endless virtual possibilities becoming actual in plain sight, a multitude of stories seamlessly flowing into one another and unfolding in parallel, suggesting unexpected realities.

Naturally, thank you to everyone who attended the performances – the audience becoming part of the stage design was an inspired choice! – as well as to the participating partners who made this collaboration possible: Keski-Suomen Tanssin Keskus ry, Keski-Suomen Kirjailijat ry and Kulttuuritalo Villa Rana.

The featured poets:

Olli-Pekka Tennilä
Suvi Valli
Kristian Blomberg
Riikka Simpura
Petri Turunen
Anniina Louhivuori
Niklas Salmi
Riitta Cankoçak
Vesa Lahti

My deepest gratitude X

*** Have a warm and wonderful holiday season ***

P.S. Here are three rough clips from one of the performances, recorded with a phone camera by one of the featured poets, Vesa Lahti.

Choreography and dance: Saga Elgland

Music and sound: Ilpo Jauhiainen

Light and stage design, technical realisation: Lasse Saari, Timo Hanhisalo, Toivo Niemi

Production: Keski-Suomen Tanssin Keskus ry in collaboration with Keski-Suomen Kirjailijat ry and Kulttuuritalo Villa Rana

Dancing about meditative opera: PIENIÄ TOSIASIOITA at Villa Rana

My generative sound-poetry composition PIENIÄ TOSIASIOITA (2024) will be premiered as a contemporary dance piece at Villa Rana, Jyväskylä, next Friday 20 December, with two 60-minute performances (at 18h and 20h).

This “meditative opera” will be transformed into an embodied experience of movement and play by choreographer and dancer Saga Elgland.

Due to the generative nature of the piece, each performance will be unique, different.

I’m truly excited – and full of gratitude – as I always love working with contemporary dance, yet it happens so rarely! (seeing my friend’s contemporary dance piece in 1998 was the reason I went to study sonic arts in the first place)

More info and tickets below:

FB event

Villa Rana website

Tickets

Here in Ghent, I’m currently finalising a new, immersive 3D version of the piece for the performance. Unfortunately I won’t be able to attend the première myself as I’ll have a doctoral seminar here that day, but I hope some of you may get to experience the piece and the wonderful work that Saga and her team has put into it!

Supported by Keski-Suomen Tanssin Keskus ry, Keski-Suomen Kirjailijat ry, Kulttuuritalo Villa Rana.

Warmth X

PIENIÄ TOSIASIOITA – afterthoughts

Thank you to everyone who came to visit my poetry-sound installation PIENIÄ TOSIASIOITA (“small truths/facts”) at Taavettilan riihi in Jyväskylä this weekend. It was a delight to see so many visitors attending (despite the glorious summer weather outside), some even spending hours inside immersed in the experience.

The feedback I received from the audience was overtly positive, at times even rapturous which was all heart-warming (of course, people withhold any criticism they might have – I always wonder why is that?). People commended the way the voices, words and music kept emerging and unfolding in the space, creating an immersive, never-ending spatial and aural experience.

The adjective I kept hearing was that of ‘meditative’: this one author even called the installation as a kind of “meditative opera” (as in opera the narrative voice often forms the central musical element). From now on, I shall call my poetry installations as that: meditative operas.

Personally I’m very pleased with how the whole installation – poems, voices, music, their generative evolution and acoustic diffusion, architecture, environment, light etc. – turned out. Even though I’d already been listening to the piece for hours and hours while making it, I’d still find myself utterly immersed in it, captivated by how it kept producing novel combinations of its textual and sonic elements. Version 2.0 is already in the pipeline (upon request).

The space was lit by the natural light coming through the windows, and it only occurred to me during the exhibition that what an integral new layer that formed! As the piece kept unfolding within the space throughout the day, simultaneously the light kept softly changing, creating a generative experience of its own: at times it felt utterly magical.

Thank you to Keski-Suomen Kirjailijat ry and Villa Rana for making this possible. And thank you to Petri Turunen (from Keski-Suomen Kirjailijat ry) for initiating, curating and organising this project: your work was invaluable. And naturally, thank you to all the poets, whose words – spoken and written – kept inspiring me throughout the process (when my music continued failing): they made the piece the novelty and success it was.

My deepest gratitude.

Authors/poets Helmi Solimeïs, Riitta Cankoçak and Petri Turunen

PIENIÄ TOSIASIOITA – a new poetry installation premiering this week

This week my new poetry/sound installation PIENIÄ TOSIASIOITA will premiere as part of the opening weekend of the Art Street Jyväskylä’s autumn season (Jyväskylän Taidekatu), September 6-8. The installation will take place at Taavettilan riihi – the oldest building in the Jyväskylä city area and located within the Jyväskylä University Botanical Garden.

In the piece PIENIÄ TOSIASIOITA (“small truths/facts”), texts from nine Jyväskylä-based poets intersect, collide, become pollinated and stratified, break apart – and form new, accidental, momentary compositions. This is accompanied by discreet site-specific music created from the sounds recorded inside and outside the installation space (a “drying barn”). The voices and textual fragments of the poets as well as the musical motifs keep unfolding in a state of constant permutation, quietly self-organising and -changing – like a river that flows, an urban space in motion, or a forest following the seasons.